| 1 |
\documentclass[11pt]{article} |
| 2 |
\usepackage{endfloat} |
| 3 |
\usepackage{berkeley} |
| 4 |
\usepackage{epsf} |
| 5 |
\usepackage[ref]{overcite} |
| 6 |
\usepackage{setspace} |
| 7 |
\usepackage{tabularx} |
| 8 |
\pagestyle{plain} |
| 9 |
\pagenumbering{arabic} |
| 10 |
\oddsidemargin 0.0cm \evensidemargin 0.0cm |
| 11 |
\topmargin -21pt \headsep 10pt |
| 12 |
\textheight 9.0in \textwidth 6.5in |
| 13 |
\brokenpenalty=10000 |
| 14 |
\renewcommand{\baselinestretch}{1.2} |
| 15 |
\renewcommand\citemid{\ } % no comma in optional reference note |
| 16 |
|
| 17 |
|
| 18 |
\begin{document} |
| 19 |
|
| 20 |
\title{The OOPSE Manifesto: \\ |
| 21 |
An Opera in four acts.} |
| 22 |
|
| 23 |
\author{Matthew A. Meineke, J. Daniel Gezelter, Charles F. Vardeman II, |
| 24 |
Christopher Fenell, and Teng Lin\\ |
| 25 |
Department of Chemistry and Biochemistry\\ University of Notre Dame\\ |
| 26 |
Notre Dame, Indiana 46556} |
| 27 |
|
| 28 |
\date{\today} |
| 29 |
\maketitle |
| 30 |
|
| 31 |
\begin{abstract} |
| 32 |
|
| 33 |
Here there be abstracts. |
| 34 |
|
| 35 |
\end{abstract} |
| 36 |
|
| 37 |
\newpage |
| 38 |
|
| 39 |
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% |
| 40 |
%%%%%%% BODY OF TEXT |
| 41 |
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% |
| 42 |
|
| 43 |
|
| 44 |
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% |
| 45 |
%% The analysis section |
| 46 |
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% |
| 47 |
|
| 48 |
\include{analysis} |
| 49 |
|
| 50 |
|
| 51 |
|
| 52 |
|
| 53 |
|
| 54 |
|
| 55 |
\section{Acknowledgments} |
| 56 |
The authors would like to thank espresso for fueling this work, and |
| 57 |
would also like to send a special acknowledgement to single malt |
| 58 |
scotch for its wonderful calming effects and its ability to make the |
| 59 |
troubles of the world float away. |
| 60 |
|
| 61 |
\pagebreak |
| 62 |
|
| 63 |
\bibliographystyle{achemso} |
| 64 |
\bibliography{oopse} |
| 65 |
|
| 66 |
\end{document} |